Science & spaceSci-Fi Guy ExplainsEvery Sci-Fi ANIME Hollywood Rebuilt Into a Blockbuster

Every Sci-Fi ANIME Hollywood Rebuilt Into a Blockbuster

Long-form16:13

Published Oct 6, 2026, 3:30 PM · 1w ago

Sci-Fi Guy Explains
Sci-Fi Guy Explains
25.1K subscribers · median 27.2K views
Views
11,187
+7 views/hour
Likes
100
0.9% of views
Comments
12
0.11% of views

Checked every 12 h while the video is this age · last check 6h ago · next in 332 min. YouTube itself updates public counts with a short delay.

Open on YouTube
Views / hour now
7
measured 6h ago
Peak views / hour
7
6h ago
Avg views / day
1.3K
since upload
First 24 hours
—
not tracked from upload
vs channel median
0.4×
Rank in channel
#17
of 20 tracked
Engagement
1.0%
likes + comments / views
Est. ad revenue
$45–$112
lifetime, $4–10 RPM

Views over time

2 readings · line: total views · bars: views gained per hour

Description

Why does Hollywood keep remaking anime it clearly loves? Paramount spent a reported $110 million on Ghost in the Shell, and the anime's own director ended up defending it. Cowboy Bebop got less than three weeks. #scifi #ghostintheshell #cowboybebop #anime – Timestamps – 00:00 The Major Was Motoko — Ghost in the Shell (2017) 02:46 The Matrix Copied Neck Ports — The Matrix, Ghost in the Shell (1995) 04:33 Astro Boy Sank Its Studio — Astro Boy (2009) 05:44 Cameron Waited Nineteen Years — Alita: Battle Angel 07:18 Toriyama Disowned Goku — Dragonball Evolution 08:32 Mazinger Built Pacific Rim — Pacific Rim, Mazinger Z 10:03 Chappie Started As Briareos — Chappie, Appleseed 11:08 Bebop Died In Three Weeks — Cowboy Bebop (2021) 12:40 Chronicle Was Secretly Akira — Chronicle, Akira 14:22 Speed Racer Outran Its Critics — Speed Racer (2008), Mach GoGoGo Drop a like and sub for more! 🖖 ============================================================ Disclaimer: This video may contain copyrighted material used under Fair Use provisions of US Copyright Law (Section 107). All credit goes to the respective copyright owners. This content is used for educational/commentary/criticism purposes only, is transformative in nature, and is not intended as a substitute for the original work. No copyright infringement is intended. We credit all sources where possible and follow YouTube’s Fair Use and copyright guidelines. For attribution concerns, please contact us directly.

Statistics from the YouTube Data API, tracked by FameX. Views per hour, revenue and comparisons are FameX estimates.